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6 A* I+ ~( K, [& h! I1 ^歌手名称：群星" Z2 a5 s( @- Z( f
专辑名称：爵士史上传奇经典OJC系列30张传世经典名盘
, @* W3 W" F9 T+ U发行日期：N/A
- x: G$ m; T+ m8 K: V- s发行公司：N/A
( Q+ r! n$ m9 D1 j6 `专辑风格：爵士, E4 j. X/ J( ~! G7 D+ W6 d) b! U7 G
专辑格式：WAV
" N$ L o: E' |! j专辑大小：6GB
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: {7 `0 P5 v; Q# S专辑介绍：
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传奇经典OJC系列首次30张名盘集结限量面市，一次拥有爵士史上第一传奇OJC系列30张传世经典名盘!!- b' p0 y# ]: G4 S- |6 U
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精质纸带小塑料袋包装盘片，超硬质外盒典藏设计，160页精装英文、日文、韩文说明鉴赏册内附!!
! q! t* O4 f ?; ^* A8 X 本典藏套装系列乃是全球音乐新钜子Concord音乐集团整合旗下诸多爵士厂牌的丰沛宝库资源，将其所拥有最多元且最完整的演奏实录或演唱精华以更有系统方式推荐予新生代乐迷朋友的专业性产品。* u, O+ E' }2 \ V' ^
本系列先委请爵士专家严选出各个时代、各家厂牌或各类乐风中最具指标性的乐手、歌手及其代表作品，并特邀知名乐评家执笔撰写兼具深度及广度的文字导聆评介，再采用当初原汁原味的封面设计及添加许多珍稀历史照片，透过完整概念性精致包装所推出的超值优选爵士铭品。
$ c4 |; a4 w* v. D* p 首批Concord典藏家以最具历史纵深、勃兴轨迹及辉煌历程的经典爵士系列OJC为主轴，其为Concord音乐集团麾下最引领风潮的Fantasy厂牌自八零年代起将之前所陆续收购的Debut、Prestige、Riverside、Milestone、Contemporary及Pablo等爵士大厂所曾出版的作品以数位化方式发行，所含括乐风之广可谓当代爵士乐发展史缩影； n# q# G% D( ~7 \$ |/ z7 }, C
而本批则聚焦在肩负爵士乐承先启后的关键时期、亦为最百家争鸣的五零年代为背景，采急促绵密的咆勃爵士、热力狂奔的精纯咆勃及恬适柔美的西岸爵士风情等多样乐风为蕴底；
7 I3 n- M8 V+ Y4 e, C2 O- \7 L 同时搜罗小号大师迈尔.戴维斯、一代巨匠约翰.柯川、萨克斯风巨人桑尼.罗林斯、钢琴怪杰泰隆尼斯.孟克、钢琴诗人比尔.艾文斯、吉他大师威斯.蒙哥马利、具反骨精神及不畏主流的低音提琴手查理.明格斯及火力高张鼓手亚特.布雷基……等各方执牛耳音乐巨匠，其于当年领衔乐界中流砥柱同台粹炼竞技、对峙飙技、细腻烘托或热情挥洒的秀逸名作，可一次尽享大师们于乐曲铺陈行进时所展现酣畅有劲的演奏技巧及所发挥如泉涌般的慧黠创意；
# [1 K% a$ {6 w4 F 此外，本系列亦呈现出欧林.奇普纽斯、埃拉.吉特勒、唐.史克利腾及艾斯蒙.德华等王牌制作人纵横爵士乐坛多年的精准眼光、创新思维及超凡制作功力与经天王级录音师鲁迪.范.盖尔德（RVG）、若伊.杜南等悉心加持所打造出定位清晰的鲜明音场、层次感十足的丰富音色及灵跃活泼的节奏动态！9 |: s# F4 D7 U+ ^ W1 O
拥有30张史上传奇OJC的旷世经典，就如同拥有爵士乐五零年代黄金时期的稀珍瑰宝，除了聆赏大师们活色生香的精湛诠释，更能从音乐走向、录音特色或封面设计等掘拾出不同厂牌间之特质，而您不仅如入实境地见证了爵士乐崛起及兴盛的璀璨进程，亦着实典藏了爵士巨擘们在舞台上睥睨群雄的不朽传奇风范！' \" o& }. {) B3 ~4 E) A
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歌曲列表：
: _1 h! }1 z( C6 ~: S1.Blakey Jazz Messengers / Caravan 亚特．布雷基/篷车队
) P9 ^/ {( q6 _! E 2.Art Pepper / Meets The Rhythm Section 亚特．派伯/遇上节奏组
4 S$ a8 z, J/ }/ z. b5 D 3.Abbey Lincoln / Abbey Is Blue 艾比.林肯 /忧郁艾比, l/ J5 @) M3 _
4.Barney Kessel, Shelly Manne & Ray Brown / The Poll Winners 巴尼．基索/雪利．曼/雷．布朗/票选冠军
/ _% s! M$ x ~' D1 b: h 5. 班尼．卡特/爵士巨人* L5 j, T3 M$ e2 O9 m
6.Bill Evans / Waltz For Debby 比尔．艾文斯 /黛比的华尔兹$ s% J2 e. p2 I
7.Bill Evans / Portrait In Jazz 比尔．艾文斯 /爵士肖像
; k1 P& R- Z \ w! P- s; c1 ~ 8.Bobby Timmons / This Here Is Bobby Timmons 巴比．提蒙斯/就是要巴比．提蒙斯: v" k2 H7 N; h9 T! ?0 O9 a* S" ]
9.Cannonball Adderley / In San Francisco 加农炮．艾德利/旧金山现场/ u/ `. m1 H P6 T; Z9 x0 Z1 }: s
10.Chet Baker / Chet 查特．贝克/查特
\! I3 w3 d# \ 11.Coleman Hawkins / The Hawk Flies High 柯曼．霍金斯/鹰扬天际% n6 S( s1 r V3 s
12.Eric Dolphy / At The Five Spot Vol.1 艾瑞克．朵菲/五点俱乐部现场第一集
# n& g$ r. W0 R! D3 @. G# p 13.John Coltrane / Soultrane 约翰．柯川/柯川之魂- C3 a% r2 Z9 K- J4 K) |; \
14.John Coltrane / Lush Life 约翰．柯川 /浮华人生
4 g% q) b$ c! {* N/ z+ {. R+ Q) S 15.Kenny Burrell & John Coltrane / Kenny Burrell & John Coltrane 肯尼．布瑞尔及约翰．柯川/布瑞尔与柯川# ^ E1 r+ D8 @# r" W
16.Kenny Dorham / Quite Kenny 肯尼.杜罕 /静如处子6 G0 C) e6 ]1 Y" K5 ?4 @1 p$ }% c
17.Kenny Drew / Pal Joey 肯尼．德鲁/花红酒绿- A( Z. U" m6 q# S
18.King Pleasure, Annie Ross / King Pleasure Sings/Annie Ross Sings 金.布理瑟 & 安妮.萝丝/浪漫轮唱
# o' p/ J4 z; D/ j$ l* |' m+ Y 19.Miles Davis/ Cookin' 迈尔士．戴维斯 /快意即兴1 [: l. H u/ y F4 E9 x0 N
20.Miles Davis / Steamin' 迈尔士．戴维斯 /热力沸腾
, d* h; f: G7 a8 P 21.Modern Jazz Quartet / Django 现代爵士四重奏/即兴之光
- E9 x X4 k k! |1 E T 22.Nat Adderley / Work Song 奈特．艾德利/工作之歌
4 f0 D* q. ]; U 23.Red Garland Trio / Groovy 雷得.嘉兰三重奏 /酣畅快意4 e5 B5 H6 X# `" a5 a. \
24.Ray Bryant / Ray Bryant Trio 雷．布莱恩特 /三人成行# \8 Q# K$ H$ i" n8 L
25.Shelly Manne / My Fair Lady 雪利．曼/窈窕淑女) D' N4 f- I+ c
26.Sonny Rollins / Saxophone Colossus 桑尼．罗林斯/萨克斯风巨人
' q7 A$ E4 N& U6 Y4 d% X% ^ 27.Sonny Stitt, Bud Powell, J.J. Johnson 桑尼史提特与巴德鲍威与杰杰强生' X& {+ W) k4 r) r' @% i* _' M! x
28.Thelonious Monk / Brilliant Corners 泰隆尼斯．孟克/明亮角落
" P& F: @1 K+ f. O) x6 Q 29.Wes Montgomery / The Incredible Jazz Guitar 威斯．蒙哥马利 /超凡绝技3 x/ k9 N n$ \$ j5 a% Y% O
30.Wynton Kelly / Kelly Blue 温顿．凯利/忧郁凯利
; p' d' l2 H, N/ l. `& h具体曲目：
" _4 ? _' a2 |- E& a$ R1. ABBEY LINCOLN - ABBEY IS BLUE: [6 L0 }+ e; ?* _8 n
1. Afro-blue
9 W" U: d' G' j F* {/ j" \/ J2. Lonely House
/ G% ?9 c* i2 d8 R- X* ^2 g+ n3 K) G( l3. Let Up* A- e2 k R+ w3 L+ r5 R3 K7 m1 s
4. Thursday's Child( {- z7 B3 X& s% @
5. Brother, Where Are You?
; m) y3 D1 z0 m4 ]3 s6. Laugh, Clown, Laugh/ @/ @- u1 f3 A" o$ R3 F
7. Come Sunday: d% f! P2 V8 R2 _- W" W# ^2 ~
8. Softly, As In A Morning Sunrise+ q: j4 i0 r# J% b$ e/ q w
9. Lost In The Stars
1 |2 J) a. K# Q3 n10. Long As You're Living% S$ e% G) a5 b: ^: \
Abbey Lincoln (vocals); Les Spann (guitar, flute); Stanley Turrentine (tenor saxophone); Kenny Dorham, Tommy Turrentine (trumpet); Julian Priester (trombone); Phil Wright, Wynton Kelly, Cedar Walton (piano); Bobby Boswell (double bass); Max Roach, Philly Joe Jones (drums)
7 n2 x8 |8 U5 i' L7 x2. ART BLAKEY JAZZ MESSENGERS - CARAVAN" }, S3 i0 a, j+ j6 ~
1 CARAVAN 9:457 J' X2 K9 h7 X/ ]3 F# U% I0 ^ e
2.SWEET 'N' SOUR
4 g/ y k$ F6 z' r. d9 k3 IN THE WEE SMALL HOURS OF THE MORNING 4:03' o W8 z" I, _5 R
4 THIS IS FOR ALBERT 8:18: ?2 I5 S/ w0 Z
5 SKYLARK 4:48
$ e4 j* m% V9 C. A2 k4 c& r5 w6 THERMO 6:467 s: J2 ^4 [9 m/ k5 d- R
BONUS TRACKS
2 a$ k. \* C% b0 M: c! h7 THERMO (take 2) 7:26
- P# a1 B B1 X8 k2 o2 L7 _" b& @8 SWEET 'N' SOUR (take4) 5:280 _( N) I* l; W2 ~' m( ]
ART BLAKEY drums, {( Z$ X* I: R! g8 |: t/ J: r
CURTIS FULLER trombone% m. T6 g% e- s6 @" Y
FREDDIE HUBBARD trumpet
* p- P L5 v" d9 p* O, F M' yWAYNE SHORTER tenor saxophone8 J U/ L% o5 f
CEDAR WALTON piano
; x( A5 l3 d3 m2 I+ F8 e, W. j' ZREGGIE WORKMAN bass
$ {& L& j+ e) z6 D# L* h: L2 [Original album produced by ORRIN KEEPNEWS: n& |/ _! b, T* f1 U2 S
Recorded by Ray Fowler at Plaza Sound Studios,, F* Z6 A+ R0 g6 _2 m l# g" [
New York City; October 23 and 24, 1962.1 _' b. h4 C- W
Reissue produced and annotated by ORRIN KEEPNEWS3 j. y9 ~) E: d4 h
24-bit remastering - JOE TARANTINO8 y9 K7 x% z2 e) W4 a0 X, m! u( ^6 ~
(Fantasy Studios, Berkeley)
! L$ t' C9 a0 J& I. i+ ?! X0 M3. ART PEPPER - MEETS THE RHYTHM SECTION% R- H1 Y4 ]8 J1 r9 |: V' w
1 YOU'D BE SO NICE TO COME HOME TO 5:25/ ^ O4 M) ~* s
2 RED PEPPER BLUES 3:36: ^9 \- K/ h1 ]/ e
3 IMAGINATION 5:519 e9 l3 Z$ H( x, B
4 WALTZ ME BLUES 2:55% g, y( Q6 o7 }) y6 s
5 STRAIGHT LIFE 3:58
! N7 \/ [) @+ j9 o! E# w2 b6 JAZZ ME BLUES 4:44' S1 o# v+ n. q/ f8 C$ I. A
7 TIN TIN DEO 7:42- X. n- s1 }0 I- W9 C6 m% n
8 STAR EYES 5:12/ J3 a! h: s& v. J0 L4 y7 P" u: `
9 BIRKS WORKS 4:15
0 U) X4 R, }& V4 lART PEPPER-alto saxophone
, M1 F: j+ F( s6 T' \0 i' ARED GARLAND-piano
9 f2 {# B @0 M S$ H. FPAUL CHAMBER-bass0 B O( ?9 |8 r' I! p
PHILLY JOE JONES-drums7 u4 g0 L9 G5 T
Produced by LESTER KOENIG1 e. P7 U' k, D. T
Recorded at Contemporary's studio in Los Angeles;
$ q( |* f/ @# V# E4 OJanuary 19, 1957( R: a$ K) Y* i# Z8 h( c
Digital Remastering, 1988-Phil De Lancie
0 k* U5 U7 F% k( P(Fantasy Studios, Berkeley)
" ~* K' Y, k8 C9 iTOTAL TIME 44:008 n+ R3 a1 _8 D+ N+ e
Total time has been rounded off to the nearest minute.
+ }8 J, W/ @ Y0 K; W: ^4. BARNEY KESSEL, SHELLY MANNE & RAY BROWN - THE POLL WINNERS9 o; f- l+ y, Y0 X5 H
1 JORDU 3:26
6 ^9 B2 Y* [3 v& U" j2 SATIN DOLL 6:26
9 [9 ?* M" s% [. T3 IT COULD HAPPEN TO YOU 4:21' v$ K; a9 N5 Y( I
4 MEAN TO ME 6:28! w3 w1 ?. h& ~' j& Z0 w
5 DON'T WORRY 'BOUT ME 4:33* m8 [" A- T5 | w& `) N
6 ON GREEN DOLPHIN STREET 4:00
: z, s- |- M( i' c: P7 YOU GO TO MY HEAD 4:21
# W6 \* x) M! l v8 MINOR MOOD 3:176 i5 V2 ]3 V$ a% ~
9 NAGASAKI 3:043 q; X/ q+ m" J! T8 e
BARNEY KESSEL- guitar [! J' \1 i$ w& E- c5 {; ^& h3 h
RAY BROWN-bass/ J+ _8 [; T1 `# G, K( z4 e
SHELLY MANNE-drums
/ C- w$ I E* n8 f9 X% ?/ V1 sProduced by LESTER KOENIG' N; H; }" k) k
Recorded at Contemporary's studio in Los Angeles; March 18-19, 19577 [7 K* [& Y3 U) m6 T
Digital Remastering, 1988-Danny Kopelson
0 H' n: V( ~7 {; S9 F* Q4 y& ?$ ~(Fantasy Studio, Berkeley)
9 Q) v9 }1 b0 n" _8 QTOTAL TIME 41:00# M# b A9 P6 ~0 m8 }- \& ~5 d
Rounded off to the nearest minute* Z* u9 l! o* E- b; s4 L
5. BILL EVANS TRIO - WALTZ FOR DEBBY
. M9 q {: i0 V& K. m' j( i1. MY FOOLISH HEART 4:56$ g# u' i; \0 x ~
2. WALTZ FOR DEBBY (take 2) 7:00
2 }0 V5 u1 D; ?' {' i0 r*3. WALTZ FOR DEBBY (take 1) 6:46
+ l6 z! F% R; `8 o4 H4. DETOUR AHEAD (take 2) 7:353 Y# n U+ Z0 m' Q7 A8 t. u! a3 J
*5. DETOUR AHEAD (take 1) 7:12; l: n! a/ m- R
6. MY ROMANCE (take 1) 7:11
# {* J# N: u; f- R*7. MY ROMANCE (take 2) 7:13
0 h) |: _ k5 S) Z3 ?6 {9 A8. SOME OTHER TIME 5:02
+ P) R. [0 W1 w( s9. MILESTONES 6:37
) x6 _2 u6 j& B7 [*10. PORGY (I LOVE YOU, PORGY) 5:57
+ ^. |# o. r$ n1 P*BONUS TRACKS4 u- T' j9 D3 S3 @. D
BILL EVANS- piano# d. s) @0 H' i3 D0 P
SCOTT LAFARO - bass$ L) P- @% J- J; \+ n5 A
PAUL MOTIAN- drum
0 @- `$ b9 W. Q6 T: B. P7 _/ cProduced by ORRIN KEEPNEWS& ?* F+ f# T- }( ]
Recorded in New York; June 25, 1961.; c% c0 W. f+ F$ W# X F# u4 ]% N$ B
Digital remastering, 1987 - Joe Tarantino. s' I2 b- w7 d( t' m" X/ o
(Fantasy Studios, Berkeley)
, l3 D) j5 D1 I" KTOTAL TIME 66:00/ B0 Z1 [7 N& n7 U2 ?# h( v: J
Total time has been rounded off to the nearest minute.
( Q# b1 D* K0 B$ [6. BILL EVANS TRIO - PORTRAIT IN JAZZ
7 w) o1 Z1 K9 o; g4 z1 COME RAIN OR COME SHINE (Take 5) 3:24
) M6 L- T" d9 v" p% D' j2 AUTUMN LEAVES 6:001 p, e ?. [1 {3 F& a8 [6 ~" H
3 WITCHCRAFT 4:37! f8 I; S6 h% L# V
4 WHEN I FALL IN LOVE 4:57
1 h' e, J) A" _0 ?% @0 g) T5 K5 PERI'S SCOPE 3:150 c# z0 T5 k7 _
6 WHAT IS THIS THING CALLED LOVE? 4:36% b4 ^8 O# K' x; d* r1 w; E
7 SPRING IS HERE 5:09 B( E# b' n2 j& Q( @6 [
8 SOMEDAY MY PRINCE WILL COME 4:57" H- J4 X/ j& G# I
9 BLUE IN GREEN (Take 3) 5:25& t& C9 c( {8 \; o- v3 h9 T
BONUS TRACKS
* M. y6 E+ ` y h7 A*10 COME RAIN OR COME SHINE (Take 4) 3:23
3 ~7 U2 A3 }# U11 AUTUMN LEAVES (Take 9, monaural) 5:25
/ `" e7 l# h& M$ d6 J7 M6 }*12 BLUE IN GREEN (Take 1) 4:393 _ X) h# g9 e2 M! }! I6 I
13 BLUE IN GREEN (Take 2) 4:26, r0 j, e. W" N
*PREVIOUSLY UNISSUED
* @: I0 S F7 i3 T/ `8 N7 ~BILL EVANS piano
& T% n! ^6 `0 w: R; n' D: LSCOTT LAFARO bass8 d5 Y% k, V. x: N, V% L/ W- Q. T$ ^! B
PAUL MOTIAN drums
& ?" ?$ i S2 u" J6 p3 G. s3 xOriginal album produced by ORRIN KEEPNEWS $ y# k1 M' t$ R$ M! }1 F
Recorded by Jack Higgins at Reeves Sound Studios,3 X% }% S# P/ n2 Z" M% j$ s1 b% W
New York City; December 28 1959.5 Y" ]: |4 k6 ?, H) u
Reissue produced and annotated by ORRIN KEEPNEWS
2 f6 c- i! q% I6 a" o9 ^24-bit remastering - JOE TARANTINO
- w. V9 ]2 K) U; p- o2 C6 z(Fantasy Studios, Berkeley)2 d$ h* _6 m) \+ k# `
7. BOBBY TIMMONS - THIS HERE IS BOBBY TIMMONS6 M+ N) y; e6 M: r
1 THIS HERE 3:31* W+ Y$ q; }* W5 A, }% P2 F2 l! e
2 MOANIN' 5:06# m' J8 m6 `5 v9 ]# ~& X$ S
3 LUSH LIFE 2:27
/ z! d# e- Q- s. \6 R4 THE PARTY'S OVER 4:11
5 [% }( A) p! \; I$ r! H6 [5 PRELUDE TO A KISS 3:22/ k3 [6 k' ^. E0 j
6 DAT DERE 5:22
$ q9 l5 Y' ^. V7 [5 l* Z! J, e7 MY FUNNY VALENTINE 5:063 U) Q( K( ]: u& k# W) E- @" s
8 COME RAIN OR COME SHINE 4:30
# _- y' w* O/ O( m5 y! \! D+ e9 JOY RIDE 3:58' Z9 S1 j4 f7 z2 F4 `
BOBBY TIMMONS - piano
; t3 b: f; V' @" d& S5 DSAM JONES - bass' ] X0 B0 k$ b1 I5 Y8 Z
JIMMY COBB -drums
7 y2 Y8 @8 N$ B: A"Lush Life" is an unaccompanied piano solo.
: q; d8 T; f5 H+ Q# E: FProduced by ORRIN KEEPNEWS
2 I, J) m) |( }3 z1 k. w; rRecorded in New York; January 13 and 14, 1960.
5 d- F7 M" F9 |6 F2 u/ c7 iDigital remastering, 1992 - Phil De Lancie1 G1 V$ m" i: |$ T+ {
(Fantasy Studios, Berkeley)5 X9 i+ i/ n$ }" u$ H+ e& q0 N
TOTAL TIME 37:53
2 P4 E) I4 i& b2 n" K8. THE CANNONBALL ADDERLEY QUINTET - IN SAN FRANCISCO. P0 }( ~* x- G# a: l
1 A FEW WORDS BY CANNONBALL… AND THIS HERE 12:28
|. j! m) F6 d% E( |8 B5 [+ E2 SPONTANEOUS COMBUSTION 11:53
: |' N9 x! L# H b+ ?' [3 u# S3 HI-FLY 11:085 h: a% {8 i3 \1 I
4 YOU GOT IT! 5:07/ `( |# \" s& R9 @; [& D5 y
5 BOHEMIA AFTER DARK (aka Birdland After Dark) 8:03
1 h# j8 L5 I- pBONUS TRACKS- E4 K! }# B. h
6 STRAIGHT, NO CHASER 11:446 K# S, ^) I) R* r
7 THIS HERE (alternate take)* 11:30
J) k, a+ M$ o; a* C* {4 R+ T8 YOU GOT IT! (alternate take)* 6:11
8 A y) J8 T# j* k; T3 r# o' J*PREVIOUSLY UNISSUED1 F- z0 s5 e/ ^1 N2 L# }3 f' o
CANNONBALL ADDERLEY alto saxophone
* V2 Z$ R- V3 m3 w% G3 \* PNAT ADDERLEY cornet
: y+ ?) w6 r( m/ t+ W) S8 O: ?BOBBY TIMMONS piano
+ Y$ y1 \( O0 o5 |- ?" S* `SAM JONES bass9 n7 o5 n' o! ]1 y# x0 d2 O/ A
LOUIS HAYES drums
+ a9 l9 [7 s4 n& Q1 l0 O% f7 HOriginal album produced by ORRIN KEEPNEWS & `1 O& T& J- b w( F/ B" ~
Recorded live at the Jazz Workshop in : a. a1 X+ O3 P7 \6 ?
San Francisco; October 18 and 20, 1959.
1 a9 }2 y* s- JReissue produced and annotated by ORRIN KEEPNEWS1 V. V* {) i; Z9 \9 h, u
24-bit remastering - JOE TARANTINO3 T- q. M" ?7 I& a5 w- h
(Fantasy Studios, Berkeley); E, B; L$ d( F, d# h3 k
9. CHET BAKER - CHET% m# k3 p, U& ] p* ~2 [
1 ALONE TOGETHER 6:53
4 H; m% D e5 J- q" |, _2 HOW HIGH THE MOON 3:37
# ^. S# h0 O4 Q, f/ P3 IT NEVER ENTERED MY MIND 4:41
2 u9 t3 [; ~% t9 k& j4 'TIS AUTUMN 5:181 V3 v' I& \9 k9 k. n2 ^% V
5 IF YOU COULD SEE ME NOW 5:17
& d& D2 a, N5 j* J0 ]2 f6 SEPTEMBER SONG 3:055 }) \) E( h& p3 p) H- a
7 YOU'D BE SO NICE TO COME HOME TO 4:33
D5 X* n. \/ K; y9 M8 TIME ON MY HANDS (YOU IN MY ARMS) 4:33
' R% q" [% S* q# w) G+ a$ ]5 G' @9 YOU AND THE NIGHT AND THE MUSIC 4:07
( B( r- \% P0 E! Y1 DBONUS TRACK/ _% a' h# J& F' o+ a
10 EARLY MORNING MOOD 9:048 |0 G1 \7 n3 q# k6 C9 Z
CHET BAKER trumpet
, P# @5 N/ }7 p' t" p7 aPEPPER ADAMS baritone saxophone" G) W) d z5 t5 J2 _2 k- }
HERBIE MANN flute: `5 m; x4 |: y( B+ |
KENNY BURRELL guitar' g+ a2 M# w1 j, b' E, ~( n
BILL EVANS piano
3 j: X/ v: ^4 ~; J# ?2 [PAUL CHAMBERS bass' U( }9 x/ K/ n0 X
CONNIE KAY or PHILLY JOE JONES drums
8 h1 H7 K/ p f( d/ Q$ l' fOriginal album produced by ORRIN KEEPNEWS
- v! C$ U2 J6 [" C' ~2 R( JRecorded by Jack Higgins at Reeves Sound Studios,
# O: E4 y) a: N8 J5 k; VNew York City; December 30 1958. and January 19, 1059.# u2 \; b# a/ E- e8 v: \
Reissue produced and annotated by ORRIN KEEPNEWS. w8 g ]7 J* t# t
24-bit remastering - JOE TARANTINO' |0 v3 Y+ }% H7 V
(Fantasy Studios, Berkeley)0 N% x% k% M- }4 R2 z9 ]# ]3 i
10. COLEMAN HAWKINS - THE HAWK FLIES HIGH
9 a# o3 s ^5 L2 B4 p1 CHANT 5:08
2 {( h, v* U2 C4 r, Y! C+ |2 JUICY FRUIT 11:16
+ a* m: O6 }7 ~/ B3 W; r; s3 THINK DEEP 3:25 [3 ~0 H" P1 `, c" ^
4 LAURA 4:43' f7 b$ a4 |6 [- l
5 BLUE LIGHTS 5:44
4 V7 [% C+ y. ~6 SANCTICITY 9:10
( T* O) `1 B1 s% CCOLEMAN HAWKINS tenor saxophone
. y$ Y4 k! I5 \. e' k9 w; V8 N& xJ.J. JOHNSON trombone+ d8 z& y% W5 B9 G: _; d# n1 ~
IDREES SULIEMAN trumpet+ K& ]7 E8 @$ @& {; m7 a' f) C' S* C
HANK JONES piano( q! `! [& `4 O/ C+ ?3 D8 j: c
BARRY GALBRAITH guitar% b$ a0 L' r$ }- @5 f8 m' b
OSCAR PETTIFORD bass5 A: [3 H# H- I8 U
JO JONES drums* T, H/ L! E% f# t7 E# R/ }
Original album produced by ORRIN KEEPNEWS and BILL GRAUER
* l" n7 |6 ^3 Q0 oRecorded by Jack Higgins at Reeves Sound Studios,! B/ }+ [* s; K" v
New York City; March 12 and 15, 1957.
# x' `% h& q2 U9 V2 c, B b; rReissue produced and annotated by ORRIN KEEPNEWS
( J, W6 u# z n' |24-bit remastering - JOE TARANTINO, s8 @) G) N! ~" o$ r
(Fantasy Studios, Berkeley)1 d9 p) W3 ^2 v7 _4 O
11. BENNY CARTER - JAZZ GIANT
' h* j+ E/ l) e. s$ I8 ^1 OLD FASHIONED LOVE 7:46% L& ^6 m/ u3 K( Z2 u7 ~0 D
2 I'M COMING VIRGINIA 5:458 ^! ^0 P& ?& |, D q
3 A WALKIN' THING 5:557 F# j$ N4 {3 ]$ p( Z8 c
4 BLUE LOU 5:02: w9 ?7 K- Q8 e* r1 h0 k: Z
5 AIN'T SHE SWEET 3:328 `6 h0 u3 _5 g; Y( |' [$ v2 s
6 HOW CAN YOU LOSE 6:12
- {# e0 ^0 ]5 @1 W4 Z( u& i% o7 BLUES MY NAUGHTY SWEETIE GIVES TO ME 4:32
3 E9 V4 S' H6 q# T( j# R( oBENNY CARTER -alto saxophone and trumpet
& a" f. N4 U8 J9 U/ SBEN WEBSTER - tenor saxophone
& f4 s* p2 }+ e* F! wFRANK ROSOLINO - trombone: V, Y4 L. ^6 I3 h
ANDRE PREVIN, JIMMY ROWLES - piano* T& c. \2 t# L) W) M& g+ L
BARNEY KESSEL -guitar9 q* r; V. e( W3 t- }! o' ^% a2 S
LEROY VINNEGAR -bass& n, c |1 Y* ~3 F. ] J
SHELLY MANNE - drums
2 v& |5 t9 x# u$ y! `Recorded in Los Angeles; June 11, July 22, October 7, 1957 and April 21, 1958
2 e7 `% v, m9 L( z# u+ y vSound by Roy Dunann
, J" U9 _2 u5 l2 T. R( x( A. E/ i, qDigital remastering, 1987 -Joe Trantino" Z& V1 a% W# f4 V4 ]
(Fantasy Studios,Berkeley)% k& ~) B) w8 M. O2 P
TOTAL TIME 42:00
, O# l& p3 }! p2 D( r+ ?Rounded off to the nearest minute7 | i3 j* Z# B; `# ]3 B
12. ERIC DOLPHY - AT THE FIVE SPOT, VOL 1
- T4 @, r. E# v( e3 R. j1 FIRE WALTZ 13:40
* z" b: q" A" E: f6 ]0 Y2 BEE VAMP 12:20
1 v# v4 n& H6 w7 {; C- F: G* Y" T3 THE PROPHET 21:22
' ?0 D: h; |/ e& g# ?*4 BEE VAMP(alternate take) 9:288 ]) k5 q" K+ }2 Q: U7 f! x
* bonus track7 U4 A- Q1 {0 ^( Z+ I0 b
ERIC DOLPHY alto saxophone, bass clarinet
* q" y s& p; U" [9 Q- aBOOKER LITTLE trumpet1 v6 ]- J9 |& `$ w& ^% x% _6 w
MAL WALDRON piano
$ N* _8 \2 \+ ~3 j6 B5 n2 uRICHARD DAVIS bass1 K: q, E- i+ p9 l( }4 Z
ED BLACKWELL drums
: l3 v- ?, Z( w' T: S- z# j3 bRecorded by RUDY VAN GELDER in performance at Five Spot, New York City; July 16, 1961. Supervision by ESMOND EDWARDS Remastering, 2008 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.( y8 i, w' N) R9 U9 z& [3 z
Notes by JOE GOLDBERG
. a1 B/ l% k. V13. JOHN COLTRANE - SOULTRANE) |0 B' F4 x: Q, D' i
1 GOOD BAIT 12:07* x( f* K+ h$ U+ h1 d* B4 i2 H
2 I WANT TO TALK ABOUT CARE 6:16/ H' F$ |( m' E& f% X
3 YOU SAY YOU CARE 6:168 H a& v. Z8 _ E" u
4 THEME FOR ERNIE 4:56 Z* d2 T9 d. L; }( K; q* S
5 RUSSIAN LULLABY 5:35
7 \. F4 M& M% E$ s: y) Z9 O0 mJOHN COLTRANE tenor saxophone
" P C6 j7 E9 r2 N" m0 y& ?+ lRED GARLAND piano9 m; \! `$ p' `% b# S
PAUL CHAMBERS bass
7 L- s# f+ |% EARTHUR TAYLOR drums
+ g" }$ Q+ ?$ h6 s7 v8 tRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; February 7 1958.
d5 I7 z$ U W+ P, D6 g# O$ q5 fSupervision by BOB WEINSTOCK. Remastering,2006-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER. Total Time 37:530 \3 {2 G% l9 ]+ O7 Z, l) _% R
14. JOHN COLTRANE - LUSH LIFE7 O2 ]6 e) l" M6 o8 e
1 LIKE SOMEONE IN LOVE 4:57/ j5 M4 j& b# _6 E1 P, l
2 I LOVE YOU 5:29 Q3 `; l1 Y# J( Z5 b
3 TRANE'S SLO BLUES 6:01
0 o2 _6 Y" l& `$ k4 LUSH LIFE 13:53; Y" S5 f) S3 T' v
5 I HEAR A RHAPSODY 5:58
4 ^( l, h, F& j1 ?JOHN COLTRANE tenor saxophone5 Z3 g I' ~6 a0 h5 d8 T b
On#1-3: EARL MAY bass2 ]/ V( V0 W, [7 q# B3 L. j8 y$ e
ARTHUR TAYLOR drums
/ l Z3 G4 u9 b0 y/ O- g/ iOther selections: DONALD BYRD trumpet (#4)
$ i" J9 o. b! T9 G; D+ Y. `RED GARLAND piano: c: [5 u, Z5 K# ~# e+ I& H: K: |: s
PAUL CHAMBERS bass
( k$ ?# X+ ?& [$ I$ A( g' HLOUIS HAYES drums(#4)
2 E# c, p2 ^. P" `+ SALBERT "TOOTIE" HEATH drums (#5)7 v$ l1 Q* N9 h) X2 z% e( Q1 z7 [
Recorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ on May 31,(#5) and August 16(1-3) 1957; January 10, 1958(4).
. L' B9 d2 F: b! Q8 B$ ~Supervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by JOE GOLDBERG. Total Time 36:00
+ e2 x1 b* ]4 }3 J6 a% @1 @7 X! Z15. KENNY BURRELL & JOHN COLTRANE - KENNY BURRELL & JOHN COLTRANE! J' B4 ?- X% X5 i4 _2 r) N
1 FREUGHT TRANE 7:190 A( M) `5 v6 K& i& D
2 I NEVER KNEW 7:04
6 e+ \( Q0 V; e3 LYRESTO 5:41
A p( I8 i' G% |2 ^3 K4 WHY WAS I BORN? 3:12
( ^3 v# w7 Z9 n( P5 BIG PAUL 14:04& i; Z/ ]2 g# a
KENNY BURRELL guitar, W/ _3 O V( v. d7 d+ N
JOHN COLTRANE tenor saxophone% f3 c! X, |8 [/ k o: G
TOMMY FLANAGAN piano
& O" r! |* O+ r8 ~4 iPAUL CHAMBERS bass
3 ^) C- B, ]6 R. p0 o/ X+ RJIMMY COBB drums
% _$ P1 U5 L- r' g* Z: `1 q% hRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; March 7 1958.
. X1 b' V! P! ]1 oSupervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by DAN MORGENSTERN. Total Time 38:00
7 i1 j2 z- g& k( O8 g. n16. KENNY DORHAM - QUIET KENNY
' x8 G* ^: Q" L' b1 LOTUS BLOSSOM 4:36
& o5 T' O9 n( u! |! i; p7 L, a2 MY IDEAL 5:04
; T- x% _8 b/ n( d6 o$ Q3 BLUE FRIDAY 8:452 I& ~" @5 P$ p0 y' l
4 ALONE TOGETHER 3:09
: A4 H! j3 Z' ^5 BLUE SPRING SHUFFLE 7:34
1 ~2 e6 @$ V$ d3 j0 d6 c' l, u6 I HAD THE CRAZIEST DREAM 4:38/ |9 x6 n2 k% H' f
7 OLD FOLKS 5:11; J, w0 i. D8 w4 j) f& D5 U
8 MACK THE KNIFE 3:02
+ s) e# z1 D6 m* ?5 c' a) o7 X) RKENNY DORHAM trumpet! I" t* u4 F% j! u* ^1 E
TOMMY FLANAGAN piano3 J( M0 |' X" v3 K8 S. I2 M
PAUL CHAMBERS bass. Z8 W D! ^/ K
ARTHUR TAYLOR drums( w) a% T( O* C/ U- Q+ J% X
Recorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; November 13, 1959.
6 u a0 B6 I& T/ JSupervision by ESMOND EDWARDS.. Remastering,2005-Ruby Van Gelder(Van Gelder Studio) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by DAN MORGENSTERN. Total Time 38:00! h- J! l2 i0 j( t
17. KENNY DREW TRIO - PAL JOY3 v. y0 g0 K' D7 n+ {
1 BEWITCHED, BOTHERED AND BEWILDERED 4:12
# t& u3 j, y. B6 }: T2 DO IT THE HARD WAY 5:52
: H1 h. \& m% \9 a2 h4 J% t. e3 I DIDN'T KNOW WHAT TIME IT WAS 4:01
- c0 Q7 H9 C, i) U4 HAPPY HUNTING HORN 4:18
7 Q' k6 M& _8 W+ k5 I COULD WRITE A BOOK 4:43
7 x0 e7 U' D5 M4 z6 WHAT IS A MAN? 5:080 s; I# ^+ c& Y- U" E) x" B- [% m
7 MY FUNNY VALENTINE* 4:09( V) m' B# j: i) W7 _5 Y
8 THE LADY IS A TRUMP* 5:417 b5 U# r8 |1 f0 |2 q, D; G. L/ S( r
*These selections from screen version only- Z7 A8 f. J, p2 s- h& I1 n$ F
KENNY DREW - piano
: D% U/ v* T; m7 V! }WILBUR WARE - bass) c& `6 W. N9 O9 R
PHILLY JOE JONES - drums+ o, t* v6 C$ k D ?
Recorded in New York; October 15, 1957
^0 l3 o% ~" H' D& Y# X/ G$ eProduced by, ORRIN KEEPNEWS
4 Z [, p7 V* h: F F18 King Pleasure Sings& d& k, D7 g% p+ l) n* [9 ^
18. KING PLEASURE SINGS / ANNIE ROSS SINGS% B0 q' n9 b: Q
1 RED TOP 3:12' v1 h+ K2 H0 l- u+ {/ S) a
2 JUMPIN' WITH SYMPHONY SID 2:34
j, u4 c8 r/ c* I( C3 k& F3 SOMETIMES I'M HAPPY 2:55
/ C" n- V8 _- L g$ D4 THIS IS ALWAYS 3:12% x2 Y0 k V! z
5 WHAT CAN I SAY(AFTER I SAY I'M SORRY) 3:09
0 R7 C* G+ |1 d! j$ U5 T# G6 DON'T GET SCARED 3:18
6 c ~( X( R6 k2 a7 PARKER'S MOOD 2:554 L. Q' B0 @' z# y6 b4 W
8 I'M GONE 3:27% U' z U4 M, } [2 X5 V# Z
*9 I'M IN THE MOOD FOR LOVE 3:01, c, y/ U' T3 [7 B8 |4 h% {& Z
*10 EXCLAMATION BLUES 2:37/ B# o; X. C- R5 u& j4 q6 k
*11 YOU'RE CRYING 3:08
$ ^, \4 v5 ]% T8 M9 U; n- W*12 FUNK JUNCTION 3:05
* ^# ?% M) L, g+ `. @ANNIE ROSS SINGS
/ g/ @& F8 K9 P% f! c13 TWISTED 2:37; \# o" y3 r, L H c
14 FARMER'S MARKET 2:43- ~# k" x |6 h( s
15 THE TIME WAS RIGHT 3:16
) R1 r; c \$ N/ d* _; Y16 ANNIE'S LAMENT 2:58
2 h2 L& |6 \" R" }0 D*Bonus Tracks
6 x/ V" N! y* VKING PLEASURE and ANNIE ROSS
& n2 a, I; m k, Y" fWith
2 {& F( v# L% \% p4 V8 b* TBetty Carter, John Lewis, Percy Heath, J.J. Johnson,& W. L6 A$ t# m3 I2 J) V
Paul Chambers, Jon Hendricks Art Blakey, and others) ]3 e) o8 j1 p
Recorded between December 1952 and December 1954& B, ~) r% ]9 }+ l( p
#9-12 originally released on
: k- ] E* v6 M! t1 POriginal Moody's Mood (Prestige 7586)
% A9 ~2 a8 h6 `Remastering, 1992 - Joe Tarantino (Fantasy Studios, Berkeley)" g5 m6 D, \% w( ^
TOTAL TIME: 49:13
; u+ V% w( v3 R: y: {, J, h19. MILES DAVIS QUINTET - COOKIN' WITH THE MILES DAVIS QUINTET
0 B2 n7 @3 Y' ~4 Q8 I1 MY FUNY VALENTINE 6:04& A E# K" @5 v0 a+ L6 @: \
2 BLUES BY FIVE 10:23; X, _' I; B! z
3 AIREGIN 4:26
9 ^$ n7 S+ }" g$ z4 TUNE-UP / WHEN LIGHTS ARE LOW 13:11& J4 C7 W' { \, v: j$ k
MILES DAVIS trumpet1 J$ `. j: _* E* e2 `' B& Y
JOHN COLTRANE tenor saxophone
2 F. D" B" T e3 y0 G8 GRED GARLAND piano( d$ C4 N$ J7 k
PAUL CHAMBER bass
5 e' v4 T. G7 p. vPHILLY JOE JONES drums" Y! a# }. X% \& F+ e
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ; October 26, 1956. Supervision by BOB WEINSTOCK Remastering, 2006 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.
: o, V+ n! o6 i. \- }" ], W: t' G20. MILES DAVIS QUINTET - STEAMIN' WITH THE MILES DAVIS QUINTET
* c7 V* d* V" N+ z1 Y: E1 SURREY WITH THE FRINGE ON TOP 9:05
1 b v9 _& q' @# }* V7 r* O$ C5 J2 SALT PEANUTS 6:09( m. z5 h) m8 L: g7 e+ Z6 e$ Z
3 SOMETHING I DREAMED LAST NIGHT 6:15& [# V% x$ }; x, ]1 p r4 Z$ C
4 DIANE 7:49
7 G0 d% o! N/ @6 \. Z5 WELL, YOU NEEDN'T 6:19
: a" }' h( L7 r0 k1 W: y: [6 WHEN I FALL IN LOVE 4:233 p7 l4 g! J& g: `
MILES DAVIS trumpet $ g% R, q) d7 |3 ]
JOHN COLTRANE tenor saxophone (except #3)
- i0 m f: G" u1 A7 m& gRED GARLAND piano
+ k. d% s6 K8 K2 I3 G0 r( zPAUL CHAMBER bass
7 X# V2 {6 S5 \( m$ OPHILLY JOE JONES drums* _; @) Z8 g- t3 G/ B
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ May 11, 1956(Well, You Needn't" recorded October 26, 1956). Supervision by BOB WEINSTOCK Remastering, 2007 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ)
% } X& K" X8 N; p" G8 M/ `21. THE MODERN JAZZ QUARTET - DJANGO
/ J& r7 h8 k1 ]. }2 O1 DJANGO 7:015 R& e/ W; T# t
2 ONE BASS HIT 2:58$ p* X) Q3 A7 U: T' O
3 LA RONDE SUITE 9:35
: t0 C# T$ Z. O) s7 E* n# ]4 A)PIANO B)BASS C)VIBE D)DRUMS
' t) ]* t& k/ M! y$ R: I5 THE QUEEN'S FANCY 3:128 t. i% P* F3 l+ H! k- l
6 DELAUNAY'S DILEMMA 3:57
. w( L5 F) O' P' ^, t' p, K7 AUTUMN IN NEW YORK 3:38
+ R0 j: D, R- p% p6 z8 BUT NOT FOR MW 3:42( k% W( `# c+ n2 u# G j. I* a
9 MILANO 4:21
0 F7 Y1 q! Z4 t0 XMILT JACKSON vibes
: B! `& u4 @9 [* fJOHN LEWIS piano
; T5 `0 {1 N: ^1 v v% r( r& i" F6 A( xPERCY HEATH bass
% B1 t4 c. @( G9 }2 aKENNY CLARKE drums
! i5 \& g- F& C2 Z( ERecording engineers - RUDY VAN GELDER(#1-3,8), DOUG HAWKINS(#4-7) : @# R, D# j& i- Y0 |! C0 {2 f
Recorded at van WOR Studios, New York City ON June 25, 1953(#4-7); at Van Gelder studio, Hackensack, NJ; December 24, 1954 (#1,2,8) and January 9, 1955(#3).
, i0 `, L$ O' G* z! ySupervision by BOB WEINSTOCK(#1-3,8) and IRA GITLER(#4-7). Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER.6 J! [& ^' e. h7 O1 }. Z
Total Time 39:00; X) @+ k$ @% K. y2 q( ~
22. NAT ADDERLEY- WORK SONG
) i2 p$ b5 e7 E! p7 Q+ K7 K1 WORK SONG 4:120 e' e( z E) [2 \( e( Q0 Y3 L
2 PRETTY MEMORY 3:50
/ f/ |, C6 ?) @; B" U! R p3 I'VE GOT A CRUSH ON YOU 2:530 c: i3 }% p: {
4 MEAN TO ME 4:59% d+ U) J. |! y6 w/ B# u9 L: g) X3 X
5 FALLOUT 4:513 ?, ~+ [) ]+ g. D
6 SACK OF WOE 4:24; w( A8 z3 t6 u9 V. M2 b
7 MY HEART STOOD STILL 6:24' d! N) P4 L4 |* X, U; v! G1 U
8 VIOLETS FOR YOUR FURS 3:472 S G" B4 L+ x" K/ @2 Y. D2 m4 n
9 SCRAMBLED EGGS 3:201 U& x' \4 H. B. z0 h( r8 S
NAT ADDERLEY-cornet6 L) G$ n2 T) p
WES MONTGOMERY - guitar
3 P a5 Y5 `" \BOBBY TIMMONS- piano
8 { Z4 M# c3 W/ bSAM JONES or KETER BETTS -cello or bass8 [% }5 u# _2 L; ~
PERCY HEATH- bass6 s& ?. ?4 a2 a
LOUIS HAYES -drums. T" s6 `/ F) h; J9 u( b" v
Produced by ORRIN KEEPNEWS
9 m6 S4 l9 R0 c' [" U' B! n3 SRecorded in New York; January 25 and 27, 1960.
5 a: l' L. X) }, `* T+ f2 V$ ~ M4 `Digital remastering, 1989 - Phil De Lancie
" f! M! _' O S(Fantasy Studios, Berkeley)
/ @# S x: A) dTOTAL TIME 39:00% V) f$ m) o. K' S
Rounded off to the nearest minute
2 C% o0 `4 @5 P5 O! ?1 b' I% N( ?1 ~23. RED GARLAND TRIO - GROOVY# ?; Z+ l4 l+ {" w8 Y$ F( M% [
1 C-JAM BLUES 8:21
; f. |: c- ]* ?2 [: p% S% F2 GONE AGAIN 6:46
- g A& g. o2 X H* `% }! |3 WILL YOU STILL BE MINE? 4:43
2 e2 F" f1 e* \4 {: ~9 r+ i- u4 WILLOW WEEP FOR ME 9:35
% U$ Q; I0 d4 @$ O) e5 WHAT CAN I SAY (AFTER I SAY I'M SORRY?) 7:14( m4 ?$ M# d6 A. @
6 HEY NOW 3:41! I+ d; m8 U/ E! V7 i# q
RED GARLAND piano
% v8 r' O8 H" l8 Q3 oPAUL CHAMBER bass
W- q% [: h$ qARTHUR TAYLOR drums
5 p8 i/ l( { Y& V' a, T3 T. z( WRecorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ May 24, and August 9, 1957. Supervision by BOB WEINSTOCK Remastering, 2008 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.% A; a# Q8 g* x& F7 q
24. RAY BRYANT TRIO - RAY BRYANT TRIO1 X! Z4 \6 i3 o$ T
1 GOLDEN EARRINGS 4:50) z- H! I# t; P2 Q' Z
2 ANGEL EYES 3:19
% Y; ?# @: M2 d- M3 BLUES CHANGES 4:58* e5 t3 e7 z, W) C
4 SPLITTIN' 4:371 e0 y3 R; W; W; m: x1 ~
5 DJANGO 5:00- m, m" Q* A; A) l9 h
6 THE THRILL IS GONE 4:51
- x# ~- T5 w; k( R; D7 DAAHOUD 4:00 w5 w$ M" e3 f% r( H7 d1 s3 X5 P6 @
8 SONAR 3:21* Z# V: o( O/ s. V7 H
RAY BRYANT - piano. O4 i2 i# f# ~% K, T# i |
IKE ISAACS - bass
3 F4 ^6 |1 p8 _3 ]4 B% l; S0 fSPECS WRIGHT - drums! l% t# J* _) n9 o/ x
Supervision by BOB WEINSTOCK
1 |; i) u3 W, M% D6 L: d! u* xRecorded in Hackensack, NJ; April 5, 1957.& G D/ O) ]7 [; J
Recording engineer - Rudy Van Gelder
2 p' ~' a5 U& p8 h+ tDigital remastering, 1993 - Phil De Lancie2 }1 p- a7 h! B$ a
(Fantasy Studios, Berkeley)# ]2 W0 P- L! ` y
TOTAL TIME 36:00, N' p1 F- X8 ^5 R& E
Total time has been rounded off to the nearest minute.
4 R( Q8 F) Q' W& B! M, a. N* w6 z$ e25. SHELLY MANNE & HIS FRIENDS - MY FAIR LADY
# g; K( a4 w5 b% d1 GET ME TO THE CHURCH ON TIME 4:11) D1 n# N9 Q0 z$ w9 b
2 ON THE STREET WHERE YOU LIVE 5:37) a- b* W. S& l0 F5 a( V
3 I'VE GROWN ACCUSTOMED TO HER FACE 3:21
* N) a6 e g$ F) K/ N! l4 WOULDN'T T BE LOVELY 5:31; ^, u: n- h- R5 E0 P1 z
5 ASCOT GAVOTTE 4:176 r! [2 C+ F ?, ?
6 SHOW ME 3:404 m" S" C1 i2 e7 U. K1 ?
7 WITH A LITTLE BIT OF LUCK 6:012 M* d3 R. M) p8 P: K& S% B
8 I COULD HAVE DANCED ALL NIGHT 3:00& T6 z4 I0 _ Z. _& L7 f! c
SHELLY MANNE-drums$ W3 p$ S& o! U ]9 o C* ?
ANDRE PREVIN-piano8 X% t8 Y5 X, ?% Y! A, X
LEROY VINNEGAR-bass
% d& N) l0 k) j! V1 T& mProduced by LESTER KOENIG, w& ~& P; C J2 \2 b* c! }
Recorded at Contemporary's studio in Los Angeles;; y3 Z8 c) F2 {, a5 D) D4 q
August 17, 1956.
- C& \* j- q/ Q9 [6 r S; UFrom the musical My Fair Lady
- E) K9 ^ }3 }# S9 O$ wDigial Remastering, 1988-Phil De Lancie. `+ D2 o5 o- `4 T$ h" t2 W
(Fantasy Studios, Berkeley)' s6 O* n* U& a% ?6 q7 u
TOTAL TIME 36:000 S7 i- f1 [4 {# @0 G
Total time has been rounded off to the nearest minute.
0 A% D8 L* Y1 ^3 N2 K9 \/ `, n26. SONNY ROLLINS - SAXOPHONE COLOSSUS
E0 T( u1 p& ~2 e. A7 Z: T& |, R1 ST. THOMAS 6:42
% u, L' x; i _: r2 YOU DON'T KNOW WHAT LOVE IS 6:24
; G" x1 S! R t( {3 B3 STRODE RODE 5:11
" x/ m8 Z5 K3 O; U4 MORITAT 9:578 E0 E. W7 ?" }( Z% _
5 BLUE 7 11:12( h8 V8 M V! |! ?
SAXOPHONE COLOSSUS
3 z) h" ~3 o$ q2 A# ]7 V6 gSONY ROLLINS + I5 y; ] N7 k" \8 D. @6 Y+ c8 M
SONNY ROLLINS tenor saxophone( Z2 R4 p, o& m; x$ }; ?! D( @
TOMMY FLANAGAN piano! ~: D1 F- u+ u }$ m; @/ D
DOUG WATKINS bass: E. b1 }* t( @' W
MAX ROACH drums
. O8 \/ y" O8 |& r9 XRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; June 22, 19562 m% n+ `; P* K ~
Supervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER. Total Time 40:00! `$ ~) ~* G/ @; f0 h) F
27. SONNY STITT/BUD POWELL/J.J. JOHNSON - SONNY STITT/BUD POWELL/J.J. JOHNSON
# q5 {0 q# u1 }# [1. All God's Chillun Got Rhythm 2:57/ ^/ i4 r* `4 ]& r s) b. k X1 G
2. Sonny Side 2:21- g1 C! F# }8 {$ ^
3. Bud's Blues 2:32" o3 c' V5 k7 G4 \5 O0 V) h
4. Sunset 3:44
^$ A. T0 o a" {2 g( x7 e+ h5. Fine and Dandy [Take 1] 2:39
7 V# s5 s/ r, V. p& \6. Fine and Dandy [Take 2] 2:38, M. u. L; s' l( `; K5 @
7. Strike Up the Band 3:26
5 A% p1 U1 K. Y* T8 N( }8. I Want to Be Happy 3:09
- y, l$ _8 e. f+ N' b9. Taking a Chance on Love 2:32
8 f3 A! c3 ]! R10. Afternoon in Paris [Take 1] / N1 g' `1 H) H' z. \
3:034 @: z# a5 o9 Y% q$ j
11. Afternoon in Paris [Take 2] 2:59, Q+ @- ?5 M9 q1 K: B- P2 p" N
12. Elora [Take 1]3:03
0 {+ m% U/ B" {0 a! |13. Elora [Take 2] 3:07# D: X0 Q& E- D. E5 H7 z" a' m' C7 t
14. Teapot [Take 1]2:43
7 R) \0 X: S- \7 l) {7 O3 p15. Teapot [Take 2] 3:01$ }( S! S: v5 b3 F
16. Blue Mode [Take 1] 3:451 R, L9 m9 X5 L/ P+ l
17. Blue Mode [Take 2] 2:494 ^' I) U& ]& l$ u5 x P
28. THELONIOUS MONK - BRILLIANT CORNERS
9 c, S0 k* p2 o5 A1 BRILLIANT CORNERS 7:42
c" c9 m2 `" t- f2 BA-LUE BOLIVAR BA-LUES-ARE8 P$ K, a1 X( b% ]6 @6 Q; O
3 PANNONICA 8:50
\ q* n0 M( |( Y4 I SURRENDER, DEAR 5:25( l h" v) H! N+ P. p
5 BEMSHA SWING 7:42
. T+ X" D5 C! z; ]7 @/ FTHELONIOUS MONK - piano. l$ [: |9 ~/ C0 Q6 h3 R* G
ERNIE HENRY - alto saxophone
J& H- W( F8 {- n( w3 ySONY ROLLINS - tenor saxophone2 f3 y( G# A& B7 S$ ~0 k' p7 K
OSCAR PETTIFORD - bass3 a; T+ @; e+ O1 v# V4 ^
MAX ROACH - drums
: V# F. g. n B) @1 ]) _- ?7 S( P(On "Bemsha Swing" : Clark Terry, trumpet; Paul Chambers, bass)% [5 a, Q- h% s5 O, d( v# K6 l
Produced by ORRIN KEEPNEWS
3 P/ }% e- |$ I/ j% }6 tRecorded in New York; December 1956.
4 Z: S* ?& I" T9 ]8 M/ H# m4 pDigital remastering, 1987 -Kirk Felton& o- m4 Z% b0 |, q U' c6 I
(Fantasy Studios, Berkeley)
3 U$ a4 j+ Y; s; J9 d1 F1 X0 D1 TTOTAL TIME 43:00
- c: l; B( Y9 D, U+ e) z' tTotal time has been rounded off to the nearest minute.* i" x9 @) E u% `# R% p
29. WES MONTGOMERY - THE INCREDIBLE JAZZ GUITAR6 G0 s, r4 u4 x& Y7 Q2 q V3 U1 X
1. Airegin 4:28
2 `' i2 X+ n* k3 Y# ]9 a( R4 t1 e% _2. D-Natural Blues 5:22
. [- J9 T) o3 h& K% q: K, ?3. Polka Dots And Moonbeams 4:42
# p e" W4 t; [0 K" c# c# _4. Four On Six 6:15) \/ ]" ]0 i9 ~- h2 _
5. West Coast Blues 7:23$ [5 Q3 f8 _) m7 ^# H& @
6. In Your Own Sweet Way 4:53
$ w' \: M+ F, @- g: J4 U7. Mr Walker 4:32
( Y7 c. O5 t( a! ]# _7 a0 y8. Gone With The Wind 6:20
Q* Z: V& L0 J30. WYNTON KELLY TRIO & ***TET - KELLY BLUE
3 \/ ~+ S Y' w. a) ~1 KELLY BLUE 10:46
6 s9 x! c( o) ]. b$ K2 u2 SOFTLY, AS IN A MORNING SUNRISE 6:30
' X6 m% y$ u+ O8 D* 3. DO NOTHIN' TILL YOU HEAR FROM ME 4:223 u, R; H+ A7 ^- N
4 ON GREEN DOLPHIN STREET 4:41
4 U" J* V ] J% G( `5 WILLOW WEEP FOR ME 6:04* |2 O' ~8 ^9 n9 Z) b
6 KEEP IT MOVING(Take 4) 7:29
% l7 D) |3 \4 l9 N2 E3 @: @- j! a) H* 7. KEEP IT MOVING(Take 3) 8:479 J% c1 {) J; S
8. OLD CLOTHES 7:408 y" y+ y7 Y. O( B
* BONUS TRACKS
' l5 H; }( u7 ?: R c3 v& [7 IWYNTON KELLY-piano
( _* L6 K- R9 M2 F: D- k9 qNAT ADDERLEY-cornet
5 r( E+ E+ v. q- C `* i$ @BENNY GOLSON-tenor saxophone3 |/ @( p$ ~% b X! _% x
BOBBY JASPER - flute$ p$ p4 v# J" B3 u0 h
PAUL CHAMBERS - bass
* R. d( n5 ?6 A* Y. D0 CJIMMY COBB - drums! B' t# X3 w' O$ e7 Z2 x
Recorded in New York; February 19, 1959.
* b1 \8 Z/ y! DOther Selections:0 ~+ `- e U* P+ Q' r( z
WYNTON KELLY -piano: q) U" [# {9 }! d, y
PAUL CHAMBER - bass3 I& S7 i `% Y& c+ V9 m
JIMMY COBB - drums
$ w& [ g% q' q. J4 C; }Recorded in New York; March 10, 1959.
7 G3 H }8 E# H! ?! T- lProduced by ORRIN KEEPNEWS# E X3 d# |/ H) D
Digital remastering, 1989 -Joe Tarantino' H: Z' A9 i0 S/ K7 _# C- g
(Fantasy Studios, Berkeley)3 D( T3 E8 B; G# B+ s5 z
' v9 ~, t8 P* _; N( n- Y
( K a; G* s8 c+ W5 `& B5 g o- |2 |) c& o" y, [6 i
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